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Applaudando

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This label was produced by a German company with probably one of the longest names in the history of recordings: Schallplattenindustriegesellschaft m.b.H., based in Halle near Leipzig. The name and antique-inspired design of the label was registered by the German patent office in October 1911 and record production started soon after this. Relying on matrix numbers, there seems to have been around 2000 (!) Applaudando records produced during the first years of the label’s existence. Most of these were probably by the company’s own ”house” orchestra, but there was probably also some matrix swapping with other small German record companies as well as with Beka. 

Applaudando soon reached markets outside of Germany as well. The Danish mail order firm of Jacob Skaarup in Copenhagen started importing and selling the label in 1912, but also soon began making his own local recordings for the label. These were made in his own office and stock rooms. Some rather well known Danish artists were recorded though some of them anonymously – probably since they were already under contract with Gramophone! 

In 1913 at the latest the producers of Applaudando had set up a Danish subsidiary company, Skandinavisk Applaudando A/S, probably with Skaarup as a shareholders. As a next step the label was registered not only at the Danish but also at the Swedish patent office (November 1913 and June 1914 respectively). At the same time Skaarup also began recording Swedish artists for that market, and the label even had a special catalogue series (1600) for vocal recordings in Swedish. Among these recordings are some of the earliest by Ernst Rolf, who would become Sweden’s leading entertainer during the 1920s. Other Applaudando records aimed at the Swedish market usually had the titles translated on the labels and the letter ”s” added after original catalogue numbers. However the distribution to the Swedish market seems to have been limited to a few mail order firms. 

The great war of 1914-18 seems to have put an end to Applaudando in Scandinavia as well as Germany, although the name pops up again briefly in 1924 when ISI-Werke in Leipzig declared it as one of its trademarks. 

Naturally there is no jazz or ”hot dance” music on Applaudando, but there has been found at least one ragtime record among the Swedish issues (”The Gaby Glide” on Applaudando 1150s). 

References:

”Svenska akustiska grammofoninspelningar” by Karleric Liliedahl (Stockholm 1987).
Various articles in ”Skivsamlaren” 1979-80 and ”Orkester Journalen” 1970 (I am indebted to Anders Gustafsson, Enköping, for providing me with copies from these magazines).

Label scan from record in the collection of Fredrik Tersmeden, Lund, Sweden, who also wrote the narrative regarding this label, for which I am very grateful.                           © April 2003


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